It has been such a boost to talk to people about my work, and for them to understand and appreciate what I am talking about, and not think that I am round the twist for loving maps and wanting to make concrete pebbles. I don’t think I had appreciated just how valuable the experience of getting work out of my studio space and onto walls where it can be seen and commented on was going to be. I will do it again (but not until I have had a good long while to recover).
I’m out of my comfort zone – it will be the first time that I have shown a large number of my geological screenprints all together and I am hoping to get my work to a whole new audience.
The private view is from 6.30 to 9pm on Thursday 27th April at Centrespace Gallery. Everyone is welcome, the more the merrier – especially if you have a thing for maps, rocks, museums, colour, or just a glass of wine and a chat.
He’s all finished and off to join his friends at Moor Otters
I’m looking forward to a trip to Dartmoor later in the year to visit him when as part of the Otter trail.
Along with Jilly Morris and Ruth Piper, I am currently organising an exhibition of drawing and print at Centrespace Gallery. I will be exhibiting three of my ‘Geological Series’ screen prints, one of which has made its way onto the poster…
My geological circle prints of Bristol (above) and Bath (below) in the Printmaking open submission show at 44AD
Rather than dictating exactly which colours will appear on a print, I am letting the colours decide for themselves. For my circle prints I am mixing inks to match colours from the key of a geological map, and then seeing what colours are created when the inks are overprinted. A little bit scary, but very rewarding…
Just a few of the steps involved in printing a 12 colour screenprint.