Thank you to everyone who visited me in studio 27 during our open studio event this weekend. It was lovely to see so many of you, both those I knew, and those I didn’t. I had many a fantastic conversation (my favourite being about spittoons on underground trains, I kid you not) and received fabulous and encouraging feedback about my work. The challenge now is to try and keep my studio tidy for more than a day – it is such a treat to be able to see the floor, and not to be in danger of tripping over at every step.
I’ve been working on a new way of creating images in response to landscape. These smaller circle prints are created in a similar way to my big geological circles in that I use a single circle stencil and mask off areas to create the different shapes. I have placed each section of colour in a different position on each print, so although each one in the series is created from the same shapes and colours, each one is unique rather than being part of an edition.
The forms and colours in these prints come from a memory of a walk along the coast near Minehead. I find it very difficult to hold an image of place in my mind, but colours seem to stay put.
My fellow part time MA Design students and I recently put on a show of work in progress at UWE. I found it really interesting to show preparatory work, the work that has actually taken me longest and caused most heart ache, alongside finished pieces – the hideously ugly mould which took me months to make, alongside the carefully polished concrete piece that finally came out of it, eight of the many colour experiments with the finished pebble screenprint which they eventually led to. A really helpful and instructive experience.
It has been such a boost to talk to people about my work, and for them to understand and appreciate what I am talking about, and not think that I am round the twist for loving maps and wanting to make concrete pebbles. I don’t think I had appreciated just how valuable the experience of getting work out of my studio space and onto walls where it can be seen and commented on was going to be. I will do it again (but not until I have had a good long while to recover).
I’m out of my comfort zone – it will be the first time that I have shown a large number of my geological screenprints all together and I am hoping to get my work to a whole new audience.
The private view is from 6.30 to 9pm on Thursday 27th April at Centrespace Gallery. Everyone is welcome, the more the merrier – especially if you have a thing for maps, rocks, museums, colour, or just a glass of wine and a chat.
My geological circle prints of Bristol (above) and Bath (below) in the Printmaking open submission show at 44AD
Rather than dictating exactly which colours will appear on a print, I am letting the colours decide for themselves. For my circle prints I am mixing inks to match colours from the key of a geological map, and then seeing what colours are created when the inks are overprinted. A little bit scary, but very rewarding…
Just a few of the steps involved in printing a 12 colour screenprint.
An article about my work in the online version of The Bristol Magazine:
A Platform for Local Art
There is never a dull moment at Bristol Temple Meads. A vibrant hub of activity for commuters heading to and from the city to begin their working day, excited adventurers heaving their backpacks on their shoulders and bidding farewell to Bristol, and don’t even get me started on the colourful array of artwork lining the platforms.
Local artist Emily Ketteringham is a screen printing artist and printmaker with a passion for Bristol’s quirks and colourful contours.
See full article A Platform for Local Art